The Biscuit Interview with Avian - June 2024

 

The Biscuit: Exploring Charlotte's Creative Community

THE OFFICIAL NEWSLETTER OF CHARLOTTE IS CREATIVE

Portrait of a Young Artist
On Fire

June 18, 2024

 


Avian Cannon at the Mint Museum Uptown

Meet Avian Cannon: A Rising Star in Charlotte's Creative Scene

If you’re a regular reader of The Biscuit, you know where we stand: The Queen City is chock full of artistic talent across a wide swath of creative disciplines.

We can see the product of working artists across our city, from murals to stage productions to music in every corner of the community. It isn’t quite so easy to gauge how much creative prowess exists in our schools. But, it’s there in abundance. 

A few weeks ago, Avian Cannon (they/them), a local visual artist who just graduated from Lake Norman Charter High School, won first place in the district in the 2024 Congressional Art Competition. Cannon's oil painting, "Scrutiny in the Third Person," will be displayed in an exhibition in Washington, DC for the next year along with more than 400 artists from across the country. 

Congresswoman Alma S. Adams, Ph.D., congratulated Cannon and four other local student artists at a special ceremony at the Mint Museum Uptown on May 21. Watch a video here.


Click the image above to watch the video.

This spring, Cannon was also recognized for their work at the Scholastic Art & Writing Awards, which dates back to 1923. 

This annual program recognizes various art forms, including ceramics, digital art, drawing, fashion, and photography. Sponsored by Adams Outdoor, NAMTA, and UNC Charlotte, the awards honor outstanding student submissions and rewards them by exhibiting their work at the Mint Museum Uptown. Read stories of past winners here and here.

Cannon’s art was selected by Charlotte Is Creative, publishers of The Biscuit, for special recognition. And, we found the artist to be as interesting as the art, itself. 

MEET AVIAN CANNON

From a young age, Cannon has been deeply entrenched in the world of art. For them, art isn't just a pastime but a persistent calling.

Initially drawn to sculpting with clay and Play-Doh, Cannon's childhood fascination evolved into a profound passion for character design and illustration, inspired by the imaginative storytelling and vibrant character designs in television shows like "My Little Pony,” “Voltron” and other animated shows.

Avian has long dreamt of a career in character illustration within the animation industry … and they’re moving to make those dreams a reality. They are captivated by the power of character design to tell stories – how a simple drawing can encapsulate complex narratives and personify diverse experiences, making it not only a creative outlet but also a profound medium for storytelling.


Avian Cannon's Art
Click the image above to enlarge it.

Q&A WITH AVIAN CANNON

Not long after the exhibition of Scholastic work closed at the Mint Museum, we had an opportunity to speak with Cannon more about how they hope to develop a creative career.

Your art is evocative. There's an emotional depth to it. What kinds of reactions do you see from people when they experience your work?

Most of the time it's just people being surprised. Often, there's shock and awe at the skill level, which I've worked really hard for. 

But there's also a lot of confusion about what my art means. Many of the the pieces that [Charlotte Is Creative] saw and evaluated are from my current AP portfolio where I'm focusing a lot on self-image and identity. People look at the pieces and be confused as to what they mean, but it's always a fun experience getting to explain it to them.

About the self-portrait where you are peeling parts of your body off to reveal money – how did you hope that would make people feel? What kind of emotions or thoughts were you trying to elicit from an audience?

Initially, with the pose and the lack of general clothing on it, I kind of wanted to get shock out of people. That was the original prompt for that piece -- to create a piece about an issue in the world. 

It's supposed to be how your value can feel monetary at times and how you can only feel valued in the world if you're making money off of yourself. I wanted people to look at it and be like, “Oh, that's a cool painting. Wait a minute … what's going on? What's behind this? This is a lot more interesting than I initially thought.”

Many people wanted to know the emotion behind it and the obligatory handful of people asking me if I was okay. It was clearly a self-portrait for a lot of people. It was hung up in my school for a time. So if I walked past it, people could kind of make the connection. 

I received lots of questions about the individual choices I made about it and the emotion that went into it and how it connected to a lot of a greater concept.

You are are planning to attend SCAD Savannah in the fall. How do you feel about that?

When I set foot on the Savannah campus, it was this gorgeous city that you can look around and see. Every other building is a SCAD building. You feel like you're part of this big community.

After college, what kind of creative career do you hope to have?

My ideal job would be working at an animation company, preferably nothing owned by Disney, but just somewhere working in the pre-production, working on character design.

 

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